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	<title>Orijin Culture &#187; Senegal</title>
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	<link>http://www.orijinculture.com/community</link>
	<description>A unique &#34;Brand&#34; connecting all African descendants together through culture; Fashion, Music &#38; Lifestyle. Keep the culture Alive.</description>
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		<title>Remember Me: AFI&#8217;s Africa Fashion Week&#8230;</title>
		<link>http://www.orijinculture.com/community/2011/afis-africa-fashion-week/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=afis-africa-fashion-week</link>
		<comments>http://www.orijinculture.com/community/2011/afis-africa-fashion-week/#comments</comments>
		<pubDate>Thu, 27 Oct 2011 21:57:21 +0000</pubDate>
		<dc:creator>NoelleBonner</dc:creator>
				<category><![CDATA[Fashion & Style]]></category>
		<category><![CDATA[Adama Paris]]></category>
		<category><![CDATA[AFI's Africa Fashion Week]]></category>
		<category><![CDATA[Alexander Koutny]]></category>
		<category><![CDATA[and South Africa]]></category>
		<category><![CDATA[Avant]]></category>
		<category><![CDATA[Bunmi Koko]]></category>
		<category><![CDATA[Christie Brown]]></category>
		<category><![CDATA[David Tiale]]></category>
		<category><![CDATA[Duaba Serwa]]></category>
		<category><![CDATA[Egypt]]></category>
		<category><![CDATA[Fast Track Collections]]></category>
		<category><![CDATA[Foschini]]></category>
		<category><![CDATA[ghana]]></category>
		<category><![CDATA[Gloria Wavoumo]]></category>
		<category><![CDATA[Johannesburg]]></category>
		<category><![CDATA[Kenya]]></category>
		<category><![CDATA[Kiki Clothing]]></category>
		<category><![CDATA[Kluk CGdt]]></category>
		<category><![CDATA[Laquan Smith]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[Maki Oh]]></category>
		<category><![CDATA[Marriane Fassler]]></category>
		<category><![CDATA[mozambique]]></category>
		<category><![CDATA[Nigeria]]></category>
		<category><![CDATA[Senegal]]></category>
		<category><![CDATA[Sierra Leone]]></category>
		<category><![CDATA[Simon Diener]]></category>
		<category><![CDATA[Soucha]]></category>
		<category><![CDATA[South Africa]]></category>
		<category><![CDATA[Tanzania]]></category>
		<category><![CDATA[Uganda]]></category>
		<category><![CDATA[United States]]></category>
		<category><![CDATA[Zimbabwe]]></category>

		<guid isPermaLink="false">http://www.orijinculture.com/community/?p=4798</guid>
		<description><![CDATA[
Africa Fashion Week in Johannesburg, South Africa organized by African Fashion International (AFI) is one of the most important fashion events in Africa. With the aim of highlighting some of the best in African fashion and creative design, AFI has done a phenomenal job giving designers a platform to showcase and market their designs. Including a unique competition for up and coming designers through their collaboration with Foschini (a popular international women&#8217;s brand).  The Foschini/AFI FASTRACK competition launched in 2011 creates a platform for young designers to kick-start their careers in the fashion retail industry. After showing at Johannesburg Fashion Week and Cape Town Fashion week in front of a panel of judges; the winners are taken through a supply chain internship at Foschini where they are taught the &#8220;in&#8217;s and out&#8217;s&#8221; of the retail industry. All culminating in a collection from the designers thats sold in flagship Foschini stores. AFI is an important and  truly progressive company to be aware of that is intimately involved in the international support and promotion of African fashion.
Held at the Sandton Convention Centre from October 20th to October 23rd, designers from the United States, Zimbabwe, Kenya, London, Mozambique, Nigeria, Sierra Leone, Senegal, Egypt, Tanzania, Uganda, Ghana, and South Africa presented their Spring 2012 collections. Not all of the designers are featured below, but I believe the strongest and most relevant looks are shown. I think you will be pleasantly surprised with the diversity in style and design of all the collections at this years Africa Fashion Week.
  In my post last week &#8220;The Larger Implications Behind Burberry&#8217;s Use of African Fabric&#8220;, I talked about seeking out African designers until the industry responds to the consumers demands. So take this opportunity to pay attention to the names, styles and designs of the designers below. Remember them, seek out more information about their brands and most importantly buy their designs!
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Adama Paris


Alexander Koutny 




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Avant

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Bunmi Koko




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Christie Brown





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David Tiale




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Duaba Serwa





Gloria Wavoumo



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&#160;
Fast Track Collections




&#160;
Maki Oh


&#160;
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Marriane Fassler

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Kiki Clothing



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Kluk CGdt

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Laquan Smith






Soucha


Photos by: Simon Diener
]]></description>
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		</item>
		<item>
		<title>‘Elevate’ Africa: Will the next Michael Jordan come from Africa?</title>
		<link>http://www.orijinculture.com/community/2011/elevate-africa-michael-jordan-africa/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=elevate-africa-michael-jordan-africa</link>
		<comments>http://www.orijinculture.com/community/2011/elevate-africa-michael-jordan-africa/#comments</comments>
		<pubDate>Sun, 23 Oct 2011 22:25:53 +0000</pubDate>
		<dc:creator>Nekita</dc:creator>
				<category><![CDATA[Fresh Off the Boat]]></category>
		<category><![CDATA[africa]]></category>
		<category><![CDATA[basketball]]></category>
		<category><![CDATA[Elevate]]></category>
		<category><![CDATA[Hakeem Olajuwon Dikmbe Mutumbo]]></category>
		<category><![CDATA[Loul Deng]]></category>
		<category><![CDATA[Manute Bol]]></category>
		<category><![CDATA[Micheal Jordan]]></category>
		<category><![CDATA[Nelson Madela]]></category>
		<category><![CDATA[SEEDS]]></category>
		<category><![CDATA[Senegal]]></category>
		<category><![CDATA[West Africa]]></category>

		<guid isPermaLink="false">http://www.orijinculture.com/community/?p=4742</guid>
		<description><![CDATA[
We witnessed the power of sports in the West Indies when cricket was used as a vehicle for bringing about social change. Numerous professional basketball players in the US have also praised the power of sports as a means to not only better themselves but also their community. In “the hood,” sports often provide the possibility of “a way out.”  By being skilled at a sport and committing the dedication required to succeed, one learns disciple, which could then lead to a scholarship, access to a superior education, wealth and stability.
Recognizing the power inherent in sports is the SEEDS foundation (www.seedproject.org). According to their mission statement “SEEDS uses sports as a vehicle to inspire, empower and support a holistic development of promising African youth, preparing them to become global citizens and leads positive transformation in Senegal Africa, and the world.” As a means to help developing African youth, the program recruits “the best basketball players” from across West Africa and provides them with the necessary academic and athletic training to better themselves. Successful candidates of the program are then given full scholarships to preparatory schools in the US, where they are granted the opportunity to gain a better education and life for themselves and larger community.
The journey of four of these African young men from West Africa to the US is the focus of the new documentary Elevate. It provides a glimpse into the lives of these young men as they embark on their journey and the obstacles they face adapting to their new lives. They have to defend perpetuated perceptions of Africa and Africans and also come to terms with the fact their success is not only for themselves but also for their community and family.
While the act of using sports as a vehicle for change and development is not new, the fact that various athletic organizations are now seeking out and helping to foster the talents of young African players speaks volume to their skills, talent and potential. Nelson Mandela once said that sports had the power &#8220;to change the world &#8230; to inspire &#8230; to unite people.&#8221; The story of these African youths shows serves as a prime example of these words coming to fruition.
It is true that African players are not new to the world of basketball. Players like Hakeem Olajuwon Dikmbe Mutumbo, Loul Deng, the late Manute Bol and others have made and continue to make a mark for themselves and Africa on the sport. However, Africa and African players are emerging as a strong and formidable force in basketball. Websites such as www.africabasket.com continue to provide a platform to showcase and document the talents of African players. By looking at the skills and determination these players have, one can’t help but wonder if the next Michael Jordan will emerge from Africa.

&#160;

Remember this movie? The Air Up there&#8230;

]]></description>
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		</item>
		<item>
		<title>You Nah See A Ghana Mavado Mad Ova?</title>
		<link>http://www.orijinculture.com/community/2011/you-nah-see-a-ghana-mvado-mad-ova/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=you-nah-see-a-ghana-mvado-mad-ova</link>
		<comments>http://www.orijinculture.com/community/2011/you-nah-see-a-ghana-mvado-mad-ova/#comments</comments>
		<pubDate>Sat, 15 Oct 2011 18:45:17 +0000</pubDate>
		<dc:creator>Nekita</dc:creator>
				<category><![CDATA[Fresh Off the Boat]]></category>
		<category><![CDATA[Accra]]></category>
		<category><![CDATA[africa]]></category>
		<category><![CDATA[culture]]></category>
		<category><![CDATA[Dakar]]></category>
		<category><![CDATA[ghana]]></category>
		<category><![CDATA[Jamaica]]></category>
		<category><![CDATA[Morgan Heritage]]></category>
		<category><![CDATA[Movado]]></category>
		<category><![CDATA[Orijin]]></category>
		<category><![CDATA[Reggae]]></category>
		<category><![CDATA[roots]]></category>
		<category><![CDATA[Samini]]></category>
		<category><![CDATA[Senegal]]></category>

		<guid isPermaLink="false">http://www.orijinculture.com/community/?p=4651</guid>
		<description><![CDATA[

While many of us throughout the African Diaspora have never been to the “Motherland,” we often feel a sense of connectedness to it. Africa, the place of our beginning and orijin, has this ability to compel us &#8211; its descendants, to yearn for its embrace.
Internationally celebrated and renowned Jamaican reggae group Morgan Heritage took heed to this yearning in 2009 and documented it. In their in brief trailer release, ‘Morgan Heritage – Africa is Calling,” the group spoke about their initial encounter with the people of Dakar, Senegal. Group member Gramps Morgan explained that “the people received us with a warm heart.” He also spoke of the “ancient sound” he heard, through the playing of the African drums, which transcended anything he had ever experienced. As he explained, the experience “wasn’t normal&#8230;.it feels like your heart is coming out of your chest.” The music and the people “connected” to his heart.
Recently, international reggae artiste and singjay Mavado also expressed his sense connection to Africa and his intention to move there. After performing at a concert that was hosted by Ghanaian reggae artiste Samini,  the “Gully God” Movado declared “Ghana reminds me of home” and expressed that he would love to move to the African country as soon as he is able to acquire land there. He further explained that Ghana reminds him of “home” because of his African ancestry and was very excited about his prospects of living in the “Motherland.”
By going back to their historical roots and culture, Morgan Heritage and Movado were granted the ability to experience what many of us throughout the Diaspora long for; a sense of understanding, belonging and liberation. While each of our experience and encounter with Africa might be different, we can all appreciate its rich history and culture and the sense of connectedness we feel to it.



]]></description>
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		</item>
		<item>
		<title>“Le Mozart Noir&#8221; (The BLACK Mozart): Do You Know Chevalier de Saint-George?</title>
		<link>http://www.orijinculture.com/community/2011/le-mozart-noir-black-mozart-knowing-chevalier-de-saintgeorge/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=le-mozart-noir-black-mozart-knowing-chevalier-de-saintgeorge</link>
		<comments>http://www.orijinculture.com/community/2011/le-mozart-noir-black-mozart-knowing-chevalier-de-saintgeorge/#comments</comments>
		<pubDate>Thu, 13 Oct 2011 15:15:51 +0000</pubDate>
		<dc:creator>Nekita</dc:creator>
				<category><![CDATA[Roots & Culture Effect]]></category>
		<category><![CDATA[africa]]></category>
		<category><![CDATA[Afro-French Composer]]></category>
		<category><![CDATA[Caribbean]]></category>
		<category><![CDATA[Chevalier de Saint-George]]></category>
		<category><![CDATA[Diaspora]]></category>
		<category><![CDATA[france]]></category>
		<category><![CDATA[Guadeloupe]]></category>
		<category><![CDATA[Senegal]]></category>
		<category><![CDATA[Violinist & Conductor.]]></category>

		<guid isPermaLink="false">http://www.orijinculture.com/community/?p=4615</guid>
		<description><![CDATA[

The arts have always played an important role in the history and culture of African descendants. While many people today often limit the scope of Art within the African Diaspora to hip hop, rap, R &#38; B, contemporary dance and all the other emerging contemporary musical art forms, African descendants have contributed to and have played important roles in all forms of art and have made important and significant impressions on them.
Joseph Bo(u)logne, Chevalier de Saint-George (December 25, 1745 – June 10, 1799) also known as “Le Mozart Noir” or “the black Mozart” was the first black man to lead France’s most important orchestras. A composer, conductor and violin virtuoso, Chevalier de Saint-George was born to a Senegalese slave and a French colonialist in the French-Caribbean island of Guadeloupe and moved to France at the age of 8. Also known for his athletic talents as a swimmer and swordsman, he was also among the earliest French composers of string quartets, symphonies concertantes, and quartets concertantes.
Chevalier de Saint-George’s gift as a violinist is often met with praise. In Arion CD 55445 (1999) violinist Joel Marie Fauquet declared that &#8216;his velvety talent on the violin sometimes gave him preference over the cleverest artists of his day&#8217;. His superior talents as Conductor of Le Concert was represented by the fact that he was declared as having &#8220;the best orchestra for symphonies in Paris and perhaps in Europe&#8221; by The Musical Almanac in 1775.

Despite his noted talents and success, Chevalier de Saint-George was not immune from the racism. When he was proposed as music director of the Opéra in 1776, many protested and made a petition to the queen declaring that “their honor and their delicate conscience could never allow them to submit to the orders of a mulatto.” In spite of these noted objection, he persevered on and became one of the biggest stars in 18th century France.
Bob Marley advised “Don&#8217;t gain the world and lose your soul, wisdom is better than silver or gold&#8230;”. Only through gaining knowledge of our rich culture and history will we be able to quire the wisdom Bob Marley spoke of. The story of Chevalier de Saint-George provides not only as an important part of African world history, but it also serves as an inspiration for aspiring artists.




]]></description>
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		</item>
		<item>
		<title>Who Makes Claim to Being the Reggae Capital of the World? France, Côte d&#8217;Ivoire or Japan?</title>
		<link>http://www.orijinculture.com/community/2011/claim-reggae-capital-world-france-cte-divoire-japan/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=claim-reggae-capital-world-france-cte-divoire-japan</link>
		<comments>http://www.orijinculture.com/community/2011/claim-reggae-capital-world-france-cte-divoire-japan/#comments</comments>
		<pubDate>Fri, 08 Jul 2011 17:49:26 +0000</pubDate>
		<dc:creator>Nekita</dc:creator>
				<category><![CDATA[Fresh Off the Boat]]></category>
		<category><![CDATA[Roots & Culture Effect]]></category>
		<category><![CDATA[Bob Marley]]></category>
		<category><![CDATA[Burkina Faso]]></category>
		<category><![CDATA[Côte d'Ivoire]]></category>
		<category><![CDATA[france]]></category>
		<category><![CDATA[ghana]]></category>
		<category><![CDATA[Jamaica]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[Jimmy Cliff]]></category>
		<category><![CDATA[Peter Tosh]]></category>
		<category><![CDATA[reggae music]]></category>
		<category><![CDATA[Senegal]]></category>
		<category><![CDATA[West Africa]]></category>

		<guid isPermaLink="false">http://www.orijinculture.com/community/?p=3553</guid>
		<description><![CDATA[
While Jamaica is known as the birthplace of reggae music, it no longer holds the title as reggae capital f the world. With reggae music legends such as Bob Marley, Peter Tosh and Jimmy Cliff taking reggae music and it message of love, peace and positive vibrations to the world stage, reggae music has become the music of choice for many countries outside Jamaica. Reggae/culture music, which should not be confused for dancehall music, has been and continues to be used as a tool for activism and resistance. Void of its political implications and purpose, reggae music just gives that feel good positive vibe and enables it’s listeners to appreciate its messages of love and togetherness.
In the 1970’s, outside of Jamaica, Europe particularly Britain, was one of the largest consumers and distributors of reggae music. Today, another European country, France, has been leading the way in reggae music production and distribution. As noted by reggae music producer/ engineer Sam Clayton, who also happens to be the son of Rastafari elder Sam Clayton Sr., &#8220;I know France is the biggest reggae country outside of Jamaica. Yes, it&#8217;s a bigger market than the US; it&#8217;s a bigger market than England.&#8221; In recent years, France has been plagued by various uprising, predominantly led by discontent immigrant youths, who find it difficult to strive in what many of them see as a xenophobic society. This discontent could be a contributing factor to the surge of reggae music in France. Reggae music is used as a means of activitism and its positive message also serves as a voice of hope. Reggae music in France is not only popular because of the importation for reggae artists and music but there is also a strong and market and production of home-grown reggae music.
Another country that is making claim to being the reggae capital of the world is the West African nation of Côte d&#8217;Ivoire. Recently, CEO of Jamaica Arts Development Foundation Inc, Lloyd Stanbury, declared that Abidjan &#8212; the former capital of Côte d&#8217;Ivoire &#8212; is now the reggae capital of the world. He explained that &#8220;The love and respect for reggae music and Jamaica remain strong. This was evident from my experiences during the many days I spent in Ouagadougou, Dakar and Abidjan. Abidjan is actually considered to be one of the reggae capitals of the world, and while there I was able to witness the stirring live presentations of home-grown reggae bands.&#8221; Côte d&#8217;Ivoire is not the only African country claiming reggae music as one of their main forms of music genres. Other West African countries including Senegal, Burkina Faso and Ghana are also among the largest consumers, distributors and producers of reggae music.


Japan has also made claim to being the reggae capital of the world. In recent years, Japan has openly expressed its love and appreciation for reggae music by holding one of the largest reggae music festivals in the world, Japansplash, which is a festival modelled after Reggae Sunsplash in Jamaica. Reggae artists [...]]]></description>
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		</item>
		<item>
		<title>Celebrating Black Arts and Cultures: The 2010 World Festival of Black Arts and Cultures (Festival Mondial Des Arts Negres) in Senegal</title>
		<link>http://www.orijinculture.com/community/2010/celebrating-black-arts-cultures-2010-world-festival-black-arts-cultures-festival-mondial-des-arts-negres-senegal/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=celebrating-black-arts-cultures-2010-world-festival-black-arts-cultures-festival-mondial-des-arts-negres-senegal</link>
		<comments>http://www.orijinculture.com/community/2010/celebrating-black-arts-cultures-2010-world-festival-black-arts-cultures-festival-mondial-des-arts-negres-senegal/#comments</comments>
		<pubDate>Wed, 08 Dec 2010 09:48:19 +0000</pubDate>
		<dc:creator>cadmin</dc:creator>
				<category><![CDATA[Fresh Off the Boat]]></category>
		<category><![CDATA[1966]]></category>
		<category><![CDATA[2010 World Festival of Black Arts and Cultures]]></category>
		<category><![CDATA[21 under football]]></category>
		<category><![CDATA[African Architects]]></category>
		<category><![CDATA[and optimistic.”]]></category>
		<category><![CDATA[athletes]]></category>
		<category><![CDATA[Black Arts]]></category>
		<category><![CDATA[Brazil]]></category>
		<category><![CDATA[Celebrating]]></category>
		<category><![CDATA[creative]]></category>
		<category><![CDATA[Cultures]]></category>
		<category><![CDATA[Dakar]]></category>
		<category><![CDATA[dancers]]></category>
		<category><![CDATA[fashion designers]]></category>
		<category><![CDATA[Festival Mondial Des Arts Negres]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[Léopold Sédar Senghor]]></category>
		<category><![CDATA[Nafissatou dia Diou]]></category>
		<category><![CDATA[Nigeria]]></category>
		<category><![CDATA[proud]]></category>
		<category><![CDATA[scholars]]></category>
		<category><![CDATA[Senegal]]></category>
		<category><![CDATA[Senegalese writer and scholar]]></category>
		<category><![CDATA[Touname Diabate]]></category>
		<category><![CDATA[Wyclef Jean]]></category>
		<category><![CDATA[‘king of Kora’ player]]></category>
		<category><![CDATA[“free]]></category>

		<guid isPermaLink="false">http://www.orijinculture.com/community/?p=1788</guid>
		<description><![CDATA[
Initially by president and poet Léopold Sédar Senghor in 1966 with a mandate to “allow as many artists of black orijin to be known and appreciated in an atmosphere of tolerance, mutual esteem and intellectual fulfillment,” the third edition of World Festival of Black Arts and Cultures or Festival Mondial Des Arts Negres is being held in Senegal from December 10th to 23rd, 2010.  The first edition took place in Dakar in 1966, followed by the second installment more than a decade later in Nigeria in 1977.
The event comes at a time when French-speaking Africa celebrates its fiftieth year of independence.  The 2010 Festival will have the culturally and artistically rich and diverse country of Brazil as its guest of honour and “will emphasize dialogue between peoples and cultures.”  The Festival also hopes to convey an image of African as a continent that is “free, proud, creative, and optimistic.”
The Festival will feature some of the most acclaimed musicians, literally scholars, athletes, dancers, fashion designers, roundtable discussions and theoretical pieces.  Some of the performers, guests and attractions include international Recording artist Wyclef Jean, some of the most prominent African Architects, ‘king of Kora’ player Touname Diabate, Senegalese writer and scholar Nafissatou dia Diou, a 21 under football match between Brazil and Senegal and many more!
What’s even more exciting about this event is that it grants you the opportunity to explore the richness of Black arts and culture for free!! If you happen to be in Senegal between December 10th and 23rd, 2010 or you were just simply looking for a vacation spot during the long winter months, then you should definitely check out this rare, once in a life time event!

A peek into the Orijin of &#8220;Festival Mondial Des Arts Negres- 1966&#8243;&#8230;

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		<item>
		<title>Modu Seye, sexy and ModuVated</title>
		<link>http://www.orijinculture.com/community/2010/modu-seye-sexy-moduvated/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=modu-seye-sexy-moduvated</link>
		<comments>http://www.orijinculture.com/community/2010/modu-seye-sexy-moduvated/#comments</comments>
		<pubDate>Tue, 27 Jul 2010 20:42:02 +0000</pubDate>
		<dc:creator>Ameyaw Debrah</dc:creator>
				<category><![CDATA[Distinct Ethnique Looks]]></category>
		<category><![CDATA[Fashion & Style]]></category>
		<category><![CDATA[Fresh Off the Boat]]></category>
		<category><![CDATA[african]]></category>
		<category><![CDATA[cabo]]></category>
		<category><![CDATA[Fitness]]></category>
		<category><![CDATA[model]]></category>
		<category><![CDATA[Modu Seye]]></category>
		<category><![CDATA[runway]]></category>
		<category><![CDATA[San Lucas]]></category>
		<category><![CDATA[Senegal]]></category>
		<category><![CDATA[sexy]]></category>

		<guid isPermaLink="false">http://www.orijinculture.com/community/?p=1295</guid>
		<description><![CDATA[At an impressive 6.3 ft, 210 lbs and about 8% body fat, Senegalese  international model, Modu Seye should be basking in his good looks  instead; he likes to be known for his brains and business acumen.  Modu  who is currently located in Cabo, San Lucas, after living in the US for  10 years is a versatile model with experience in fitness, fashion,  commercial, to runway modeling. 
He started modeling in 2002 and is now with Model International in  Beverly Hills – California. In spite of doing it all from A-Z, he says  his favorite forms of modeling are fashion, fitness and runway. He has  been in several national commercials with companies like Budweiser and  Gateway computers, billboards among others.
Modu  is a personal trainer and entrepreneur; he manages his own business  known as ModuVated Inc.  ModuVated Inc. currently provides fitness  training, fitness clothing and casual clothing, as well as supplements  which would be introduced soon. I caught up with Modu, who is also a  member of the Screen Actors Guild (SAG) to find what keeps him  “ModuVated to be fit”.
Ameyaw Debrah: What got you into modeling? 
Regarding modeling, It never crossed my mind to do modeling while I  was living back home in Dakar. But being so fortunate to live in the US,  I couldn’t refuse to try any opportunity I got. I was constantly  approached by people to consider modeling.  I feared that I wasn’t the  prototype model; as well as not wanting to disappoint my family; I  stayed as far away from modeling as possible. My focus was on  education.  However, the offers and interest from the powers that be  were ever present.  I said to myself “Why not give it a try?”  I signed  with my first agency Exposure Inc in Kansas City, Missouri and I was  discovered in 2003. I always tell people I’m not a model but I do  modeling. I don’t want people to think I’m just a good looking guy with  an empty head and too into himself. I’m more of an entrepreneur and I  have my Masters in Business Administration.
Ameyaw Debrah: Who are your role models in the profession? 
Tyson Beckford and Tyrese Gibson; a lot of people think I look like a  combination of those two. But I don’t try to be anyone; I just try to  be myself. I respect what they have done in the industry as black  models.
Ameyaw Debrah: Do you think that models in Africa could have international careers in modeling? 
It is a challenge. That’s why they have auditions; sometimes what  people submit is very different from how they actually look. People want  to see who they are as a person; what you look like naturally, and for  that you have to be where the agency is.  Every time I go on vacation  [...]]]></description>
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		<title>2010 WORLDCUP will stay in Africa-THE FEVER HAS JUST BEGUN!!!</title>
		<link>http://www.orijinculture.com/community/2010/teams-representing-africa-2010-worldcup/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=teams-representing-africa-2010-worldcup</link>
		<comments>http://www.orijinculture.com/community/2010/teams-representing-africa-2010-worldcup/#comments</comments>
		<pubDate>Thu, 10 Jun 2010 01:10:41 +0000</pubDate>
		<dc:creator>cadmin</dc:creator>
				<category><![CDATA[on stand by culture]]></category>
		<category><![CDATA[africa]]></category>
		<category><![CDATA[Algeria]]></category>
		<category><![CDATA[Angola]]></category>
		<category><![CDATA[Cameroon]]></category>
		<category><![CDATA[Côte d'Ivoire]]></category>
		<category><![CDATA[Diouf]]></category>
		<category><![CDATA[Esssien]]></category>
		<category><![CDATA[ghana]]></category>
		<category><![CDATA[Government]]></category>
		<category><![CDATA[Guides and Directories]]></category>
		<category><![CDATA[Jay Jay Okocha]]></category>
		<category><![CDATA[jj okocha]]></category>
		<category><![CDATA[Nigeria]]></category>
		<category><![CDATA[Okocha]]></category>
		<category><![CDATA[Petroleum]]></category>
		<category><![CDATA[Roger Milla]]></category>
		<category><![CDATA[Rogger miller]]></category>
		<category><![CDATA[Senegal]]></category>
		<category><![CDATA[Soccer]]></category>
		<category><![CDATA[Society and Culture]]></category>

		<guid isPermaLink="false">http://www.orijinculture.com/community/?p=734</guid>
		<description><![CDATA[Here are the teams representing Africa for the 2010 world cup:
Ghana

Cameroon

Cote d&#8217;Ivoire(Ivory Coast)

Algeria

Nigeria

South Africa


]]></description>
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